Word Count Creep

Writing a book can be is a daunting task. Depending on your goal, you have anywhere between 50,000 to 400,000 words to type when crossing the threshold of your journey (hopefully you have the decency to constrain your prose to a length not too much higher than that). It's easy at any step in the process to lose momentum and become swamped. I want to talk about some of the writing cairns and how to get past them.

Initial Word Count Goal

I'm a numbers-oriented person. I like to have a goal in mind when embarking on most any endeavor. I think it's important for any writer to have a ballpark on their total word count. Some people may find this irrelevant and take care of it in editing, but I often prefer pre-editing over post-editing. Anything I can do to reduce work on the tail end is beneficial.

The way that I got a ballpark for my first book was precisely by looking up word counts of novels that I had read. Out of interest, here's a list of some popular book word counts. Another thing I took into account was the industry recommendations. Here's a page with a good meter.

Important also is whether you are debuting or returning to the scene. When people pick up a Dan Brown book they think, "I've read/heard of his books. I'll give this one a shot." When people see a Benny Hinrichs novel they think, "Cover's not terrible. I wonder if he's related to Jimmy Hendrix." Two different reactions. Reading a novel takes time (probably at least 10 hours). You have to convince people that your words are worth that time investment, and most people will shy away from a thick, bludgeoning tome from an unknown author.

Of interest: I wanted my first book to be somewhere between 90,000 to 105,000 words long. It turned out to be 101,000. I only achieved that by outlining and estimating.

Progress Spurs Progress

Another driving principle is that progress inspires progress. It takes hundreds of small victories to write 100,000 words. I keep a spreadsheet of my chapter word count. Every time I finish a chapter, I note the date and length along with a running total. Here's the spreadsheet of my word counts for Schools of Thought. The first time you hit 1,000 words, you think, "Wow, that wasn't all that bad. I can do that a few more times." Pretty soon you've laid out 5,000. Then 10, 20, 50, 100. Knowing that you've already accomplished something will drive you to accomplish something else.

You should find a progress monitoring method that jives with you. I do word count by chapters. Another idea is progress by event or scene (like you're shooting a movie). For that you need to have a pretty good outline.

Working Word Count Goal

Another trick of the trade that helps me immensely is a working word quota. That is, in x amount of time I will produce y number of words. My current working word quota is 2500/week. I like to use the week increment rather than day or month because it gives me enough time to do it without giving me too much time to do it.

Parkinson's law states that work will expand to fill time available for its completion. If I saw that I'll do 2500 words in a week, I may do all those on Saturday, but it gets done. If I say I'm going to do 500 words a day, I have a higher possibility of missing that goal due to other obligations. That will lead to writing depression and will encourage me to miss future goals. If I say I'm going to do 12,000 words a month, I'll inevitably go a whole week or two without writing anything. Suddenly I have to write 6,000 words a week  for two weeks straight. It's too onerous. Just as progress incites further progress, failure incites further failure. Thus my 2500/week.

Conclusion

Small victories win large wars. Set realistic goals and meet them! I'd like to add here that outlining will help everything. Maybe I say this because I'm not as much of a discovery writer, but I truly believe it. If I already know what's going to happen in a chapter, it's so much easier to write. Same holds true for a book. If you know where you're going, it'll be easier to get there.

The Kindle Relents, Lets Oneironauts In

I could try to get you to believe how difficult making my book into Kindle material was, but I know you don't like unsolicited preaching as much as the next guy. Suffice it to say, I had a wild ride getting this thing to work. The biggest hurdle is the lack of documentation. Amazon apparently expects the majority of people to upload a document file then let their algorithms chew through it and spit out a .mobi file. However, my attempt at getting such a file generated fell flat on its pupillary sphincters. It was all kinds of messed up. So many kinds of messed up, it would have been easier for me to write my own file than try and fix theirs. And did this happen because of my sloppy use of Microsoft Word formatting?

Absolutely not. It's quite obviously an issue with Amazon's code ;)

Let me explain though. To make a .mobi file, you need an HTML file of your book, and two additional XML files for navigation and such. You then combine all this in a command line executable (which I have no issues with). Nowhere is it documented that you need to use the .opf file in the cmd line argument. Also, there is little in the way of tutorials on making the two XML files (the .opf and the .ncx), so that took an age.

Fortunately I'm now in a position to easily produce another eBook once I acquire the text. If you have any questions on the process, just ask.

Here are the links: Book page and the Kindle-specific page. I'd love to hear any feedback on the eBook for those of you who get it. **I've also told Amazon that if a customer buys the physical copy, then they can download the digital book for free.

Titular Plot Revelation

There's a (I won't call it a blunder) device that you see often enough that involves the title of a work. I'll name a few: Harry Potter, Percy Jackson, Artemis Fowl, Indiana Jones, Septimus Heap, Napoleon Dynamite... They all have one thing in common (besides all being male). The Character Title. You've written an entire 80,000+ word book but can't come up with one more thing. The title. Or maybe you chose the Character Title on purpose.

I'll tell why I as a reader don't care too much for the Character Title. It saps some of the tension out of the narrative, especially if there are multiple titles in your series. I know that no matter what the protagonist comes up against, he/she will definitely avoid dying until at soonest the last book. I imagine that George R. R. Martin saw this trope and decided to grossly exploit it. Nearly everybody dies in A Song of Ice and Fire—and that's a problem in and of itself. My question to writers of stories such as ASoIaF is, why should I put so much effort into becoming acquainted with your characters if I know you're just going to kill them off?

And there we've revealed two irksome behaviors. (1) I'm going to tell you upfront through the title that the character you'll grow to love is never really in danger, and (2) you'll soon find that every other character you grow to love will be slaughtered by my pen. Of course, there's another behavior that can be equally as tiresome, the resurrecting hero. If it happens once in your story and you pull it off, your book is going to be amazing. If it starts happening too many times...(Dragon Ball Z *cough*).

Now sometimes your story isn't concerned with life and death experiences (Napoleon Dynamite) and therefore has no quarrel with the Character Title. But let's take Harry Potter. He comes into a "life and death" situation at least once in every book, but (spoiler alert) doesn't die until the final one. That's exactly what the title told us would happen.

An example of some amazing titles are Lord of the Rings and Star Wars. Although LotR doesn't focus around Sauron, it's interesting that the story follows the pattern of titular plot revelation by keeping him alive until the end of book 3. That being said, we know nothing about the fates of the characters we care about. Not all of the fellowship are present at the conclusion of the epic. The title of Star Wars likewise does nothing to reveal prematurely which characters will survive until the end.

Of course you don't always want the characters you're following to die, but it makes every encounter more real if we haven't been told beforehand that they won't. My advice is that if you get to the end of a story (unless it's a standalone or a short story), wring that last little bit of juice out of your imagination and come up with a good title. But who knows, maybe a good title for your book will be the Character Title. I think Leven Thumps worked it quite well as a series.