Tuesday, August 26, 2014

The Everbranching Tree of Plots

Ten years ago, an idea was introduced to the world called the Seven Basic Plots. It came in the form of a book written by journalist Christopher Booker. He posited that there were only—as the precocious reader will have already observed—seven basic plots. Every other story is based off this brotherhood. He tells us that they are
  1. Overcoming the Monster (Lord of the Rings, Star Wars)
  2. Rags to Riches (Cinderella, Aladdin)
  3. The Quest (Lord of the Rings)
  4. Voyage and Return (Odyssey, Alice in Wonderland)
  5. Comedy (A Midsummer Night's Dream, Mr. Bean)
  6. Tragedy (Macbeth, Romeo and Juliet)
  7. Rebirth (A Christmas Carol, Despicable Me)
*As a side note, I think that if you wanted to you could lump most of them into Overcoming the Monster.

Well I'm going to present my new thesis: there's only one plot, i.e., Something Happens. It holds true in every book I've read or movie I've seen. This superplot can be subdivided though. In many stories not only does something happen, but more specifically, the protagonist progresses. The other two options are remaining stagnant or retrogressing. All of the above seven plots are composed of the three I just mentioned. That means there are at most three basic plots.

But "he progresses" doesn't exactly make for the most exciting plot. It needs an arc. The bones of a plot might follow something like this: he progresses, stalls, progresses, stalls, retrogresses, progresses, retrogresses, progresses. Maybe you could even assign values so you know how much the protagonist is stepping forward or backward. Let's analyze the Bible story Jonah this way. He's preaching as a prophet of Jehovah (+10). Gets a vision to go to Nineveh (+5). Decides to run and hide from God instead (-15). Get swallowed by a great fish (±0). Repents and preaches in Nineveh (+15). Stubbornly waits for the city's destruction after they repent (-15).

Beyond the Basics
But who wants a basic plot? Like a drug, we need more and better stuff to stay satisfied. Most plots that I've read in the past ten years go above and beyond basic. They've also been combinations of the above seven. They've been intricate weavings of human emotion and action. 
Source: Tim Green
This post may not have the best flow to it, but I hope it gets my point across. If you believe there are only seven basic plots, your writing will show it. Don't buy into it. Look everywhere for inspiration for books. Write down small ideas you have. Combine those ideas to make more elaborate tales. Don't let your plot look too much like another, but allow it some similarity. The tree of plots is an everbranching organism with unlimited possibilities. 


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